classic stained glass

Exceptional Stained Glass
& Beveled Glass

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Recently I came across a box of brochures that I had printed back in the days before the internet. The brochures were a marketing tool before the internet, before I could simply direct potential clients to my web site. The photos that were used in this brochure were taken long before digital photography became commonplace. I thought you might like to see these impressive artworks that I made a long time ago in a garage far far away...

classic stained glassThis first artwork is a rendition of Spring, one of the four seasons created by the artist Alphonse Mucha. I was probably in my late teens when I made this artwork. That was so long ago that the stained glass grinder had not yet been invented. That means that all of the intricate pieces of glass in this artwork were cut by hand and finished with grozzing pliers, small hand held pliers with a serrations along the inside of the bladed that were used to "grind" away tiny bits of glass. At the time, I was quite proud of the craftsmanship I was able to achieve, especially after the glass grinder first came on the market. Although I resisted buying my first grinder for a while after they were first available, I eventually did buy one and incorporate it into my way of amking stained glass. Today, I cannot imaging making a stained glass artwork without a grinder. One of the major advantages of using a grinder is that the earlier method of "grozzing" the edges left tiny, even microscopic flaws in the edges of the glass pieces, and these flaws could cause a piece of glass to crack during the construction phase or the soldering phase, particularly when the construction was the copper foil method, a method in which the heat of the soldering iron was most directly transferred into the glass. Grinding the glass pieces to finish them almost completely eliminated these cracks.





classic stained glassThis second artwork was probably made when I was in my twenties. The logo is sandblasted black-on-white flash glass; a thin layer of black glass on top of a thicker layer of white glass allowing the black layer to be sandblasted away, revealing the white layer underneath.





classic stained glassThis third artwork was done by when I was about 50 years old. It is constructed with lead (rather than copper foil as in the first two artworks on this page). Years after I made this room divider, the home was purchased by a couple for whom I done a lot of stained glass in their former home. They invited me out to their new home to replace a number of stained glass panels, and that was the only time in my career when I was asked to replace my OWN old stained glass with new stained glass artworks!
                 


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